Vintemille by Paul Gangolf

Vintemille 

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drawing, print, ink

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drawing

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print

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ink

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geometric

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line

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cityscape

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modernism

Dimensions sheet: 34.4 × 25.5 cm (13 9/16 × 10 1/16 in.) [irregular] plate: 10 × 14.5 cm (3 15/16 × 5 11/16 in.)

Curator: Paul Gangolf, a name perhaps less familiar to some, created this dynamic print titled "Vintemille." Note the artist favors ink. Editor: My immediate sense is of organized chaos, or maybe frenetic energy barely contained. The scratchy linework vibrates across the paper. Curator: Gangolf was a keen observer of urban life. Notice how he renders the cityscape. The concentration of structures rises, almost organically, a kind of constructed hillside crowned by what looks to be a church tower. His vision evokes the modernist tendency towards linear expression, eschewing precise realism. Editor: Yes, the materiality really stands out. The repetitive etching must have been arduous, like a controlled form of mark-making, right? It’s not just a depiction of a city, it's also about labor— the labor involved in producing an image through this printing process, the repetitive task. It transforms what could be a tranquil landscape into something more gritty. Curator: The cityscape emerges amidst what looks like a spontaneous layering of ink strokes. In truth, this meticulous print demanded skillful craftsmanship, and in Gangolf's work we see how he elevates traditional means through technique and perspective. His background is somewhat enigmatic, isn't it? But his mark remains clear here. The question of "authenticity" in mass-produced media looms as well. Editor: Authentic or not, the frenetic energy and density give an uneasy sensation that is almost claustrophobic; he conveys the sensation of the cramped buildings pushing into one another. I see that and connect it to the way humans are crammed together as well within city landscapes that don't have planned spacing. This really underscores to me the tangible struggle to bring form out of material in urban experience and in his own artwork as well. Curator: It prompts a reconsideration of modernism's effect on visual interpretation as a form of understanding both in public art appreciation and material culture's reach overall! Editor: Precisely! This is also such a nice moment in an artist's journey to see such a display of both creative intention meeting actual practice.

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