Portret van een zittende man met handschoenen in zijn hand en een vrouw 1872 - 1886

This is a portrait of a seated man with gloves in his hand and a woman by B. Barry. In this sepia toned photograph, the composition is structured by the contrast between the floral frame and the formality of the subjects. The patterned border creates a sense of enclosure, highlighting the rigid posture of the man and woman. The drape of the woman’s skirt is echoed in the tassels of the chair, creating a sense of controlled elegance. The photograph’s success in creating a sense of formality and self-presentation speaks to a broader cultural interest in codifying social roles through visual representation. The symmetry and detail in the floral design work to reinforce the idea of a constructed reality and reflect the semiotic function of the image, and can be thought of as a signifier of bourgeois ideals. Ultimately, the work is about how visual form can convey the underlying structures of social values.