Das Neue Jerusalem c. 1840

Gustav Sigismund Peter’s print "Das Neue Jerusalem," or "The New Jerusalem," visualizes the path to salvation, likely dating to the first half of the 19th century in Germany. The image creates meaning through a linear narrative, guiding the viewer from earthly life, depicted at the bottom, towards heavenly Jerusalem at the top. Visual codes are clear; the figures on the lower path, richly dressed, are contrasted to Christ on the cross, and then with devils and hellfire at the bottom right. These visual codes reflect the religious and social values of the time, cautioning against worldly temptations and advocating for a devout Christian life. This print likely circulated within religious communities, possibly as a didactic tool or a form of devotional art. Its creation and distribution reflect the social conditions of 19th-century Germany, where religious beliefs heavily influenced daily life. To fully understand this print, scholars would need to delve into religious texts, social histories, and print culture of 19th-century Germany, to understand the image's original context.