drawing, print, etching
drawing
dutch-golden-age
etching
landscape
etching
Dimensions height 166 mm, width 213 mm
Curator: Frederick Bloemaert created this etching, "Vergezicht met een knoestige, verwrongen boom," sometime after 1635. You can see it at the Rijksmuseum. Editor: Gnarled indeed! That tree has seen things. It dominates the scene, twisted and almost menacing. I feel like I’ve stumbled into a Brothers Grimm fairytale. Curator: Bloemaert was part of the Dutch Golden Age, a period where landscape art became incredibly popular. But unlike the vast, idealized landscapes of some of his contemporaries, this feels… intimate. Editor: Intimate and slightly unsettling. Look at that lone figure with the rifle – he seems to be aiming right at that poor bird. There’s something almost voyeuristic about it. As if we are witnessing this silent hunt unfold. What do you think it alludes to? Curator: Landscape art during this era often wasn’t just about pretty scenery. They could be allegories, reflections on human nature and man’s place within the wider cosmos. Hunting scenes particularly underscore man's dominion over nature and provide the proof for aristocracy as they own both lands and instruments of hunting. Editor: So, it’s a power dynamic! I'm feeling this struggle of dominance between that lonely figure and the looming natural entity in front of him. But this old, struggling tree…it’s stubborn survival embodies defiance. This piece of work strikes me as surprisingly rebellious given the art movement in which it participates. Curator: Perhaps, but Bloemaert, I feel, is really using the medium itself to question some of those assumptions, look at how delicate these lines are—it lends the scene a certain vulnerability. In turn, is it even a portrayal of reality, or more a commentary on it? The scale of the etching underscores that subtlety—a private reflection in a public art form. Editor: Food for thought for me, definitely. Thank you for showing me another vantage point with which I could appreciate this disquieting tableau. Curator: Anytime. Hopefully this experience gave you something to ponder on as you enjoy the rest of the collection.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.