Portrait of La Val de Pramence by François Clouet

Portrait of La Val de Pramence 1522 - 1600

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drawing, pencil

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portrait

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drawing

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charcoal drawing

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figuration

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11_renaissance

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pencil drawing

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pencil

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italian-renaissance

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early-renaissance

Dimensions 12 13/16 x 8 9/16 in. (32.5 x 21.7 cm)

Editor: This is "Portrait of La Val de Pramence" by François Clouet, created sometime between 1522 and 1600, and rendered in pencil. I find it intriguing how such delicate lines capture such a self-assured presence. How do you see this portrait functioning within its historical context? Curator: It’s fascinating, isn’t it? We must remember that portraiture during the Renaissance was deeply entwined with power dynamics and social status. A portrait like this was less about simple representation and more about constructing and projecting identity. Who was this person, La Val de Pramence, and what role did his portrayal play in the turbulent world of the 16th century? Editor: I see, so it’s not just about what he looks like, but what the portrait is communicating about his position? The subtle details, like the feather in his cap or the carefully delineated beard – those all send signals? Curator: Precisely. Think about the Reformation, the rise of humanism, and the shifting social structures. How might this portrait, commissioned perhaps by or for La Val de Pramence himself, be attempting to assert his authority, lineage, or personal values within this environment? Could this be seen as an early form of self-fashioning through visual media? Editor: So, analyzing the portrait opens a window into understanding the negotiations around identity and status during a period of intense social change. The details really do matter. Curator: Absolutely. What initially seems like a straightforward depiction becomes a complex statement when viewed through the lens of history and social theory. We can use contemporary frameworks to understand how gender, power and politics can affect a single work of art, and then vice versa. Editor: I had never thought about it in that much depth before. I am now beginning to see this image is much more layered than initially obvious! Curator: And I'm happy to bring my perspective! There's always room to re-examine art using our developing world view and understandings.

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