Feb 28-53 (vertical seconds) 1953

Curator: This is Ben Nicholson’s "Feb 28-53 (vertical seconds)", currently held at Tate St Ives. Editor: My first impression is of a deconstructed cityscape, softened by the muted palette. The textures seem almost tactile. Curator: Indeed. Nicholson was deeply embedded in the St Ives artistic community, and his work reflects a broader modernist interest in abstracting from the everyday. Editor: I’m struck by how Nicholson balances the rough surfaces with precise lines. You can sense the labor involved in building up those layers. I wonder about his choice of materials here. Curator: The layering speaks to a dialog between painting and sculpture. Nicholson’s work always existed in this nexus of craft and high art, influenced by his Quaker upbringing and a deep respect for material honesty. Editor: Looking at it now, it’s clear that these shapes aren't just abstract, but also hold some historical and social significance. It shows what artists can do when they’re more focused on expression. Curator: Absolutely. Nicholson offers a powerful example of how art can reflect, and even shape, our understanding of the world around us. Editor: It's a thoughtful reminder that art is as much about process and intention as it is about the final product.