Untitled c. 1960 - 1970

Arnaldo Pomodoro made this untitled print using lithography on paper. The image shows a stark, column-like form set against a vibrant red field. Pomodoro was an Italian sculptor known for his abstract geometric forms, often disrupted and fractured to reveal complex interior spaces. This print shares that interest in the tension between surface and depth. Consider the social context in which Pomodoro was working. Born in 1926, his artistic development coincided with Italy's post-war reconstruction and its embrace of modernism. In this period, artists questioned traditional forms and explored new ways of representing the world. Was Pomodoro commenting on the fractured nature of modern life? Was he challenging the idea of a unified, stable identity, or critiquing the institutional structures of art? To better understand Pomodoro's work, we might consult contemporary art journals, exhibition catalogs, and the writings of art critics active during his time. Such research would help us understand the social and intellectual currents that shaped his artistic vision. Ultimately, the meaning of this print is contingent on the historical and cultural context in which it was created and received.