Princess Irina Yusupov 1925

Zinaida Serebriakova drew "Princess Irina Yusupov" in Paris in 1925, using pastel. It’s all about layering here, isn’t it? Serebriakova builds up the image of Irina with these incredibly delicate strokes. The colors are muted, almost like a memory fading into the paper, but with this overall effect of a calm strength. Look at the way the pastel dust creates a soft texture around the Princess. The subtle variations in the blacks, whites, and blues create a sense of depth. The marks build the form. Each stroke feels intentional, as if Serebriakova were gently coaxing the image out of the paper. Think about the contrast between the smooth, almost porcelain-like face and the sketchier treatment of the clothes. It's like she's focusing our attention, guiding our gaze. It reminds me of Berthe Morisot, that same sense of intimacy and fleeting beauty. Both artists understand that art is about capturing a feeling, an impression, rather than a literal representation.