Gezicht op de Abdij van Beaurepart in Luik 1738 - 1744

This is an anonymous line engraving depicting Gezicht op de Abdij van Beaurepart in Liuk. We’re looking at an almost clinical depiction of architecture, yet, the choice to include the abbey's surroundings subtly infuses the image with a sense of the social fabric that is often overlooked. Religious institutions have historically exerted significant influence over various aspects of daily life. Spaces like the Abdij were central to the power dynamics within communities. The fact that this particular view emphasizes the abbey's physical presence suggests a desire to highlight its dominance, but how does that dominance contrast with the social realities experienced by diverse populations? Consider who had access to these spaces. Were they inclusive or exclusive? How did gender, class, or other social distinctions affect one's relationship with the abbey? Without answers the image raises more questions than it resolves. It stands as a reminder that art can serve as both a reflection of and a challenge to prevailing societal norms.