Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...) Parte prima (Plate 8) by Theodorus van Kessel

Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...) Parte prima (Plate 8) 1646 - 1652

drawing, print, engraving

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drawing

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baroque

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print

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engraving

Theodorus van Kessel created "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (… ) Parte prima (Plate 8)" sometime between 1640 and 1660. It is part of a larger series of prints depicting designs for ornate vessels. During the 17th century, the Dutch Republic was a major center for trade and artistic innovation. Prints like this one allowed for the dissemination of design ideas across Europe. Consider how van Kessel’s detailed etching presents a vision of luxury and artistry intended for an elite, moneyed class. The grotesque masks, human faces, and animal forms integrated into the vessel suggest a fascination with transformation and the blurring of boundaries, reflecting a broader interest in the natural world. This elaborate design speaks to the status and wealth of those who could commission such pieces. What does it mean to create art for a privileged few, and how does that affect the stories that are told? Do you see it as a celebration of craftsmanship, or a reflection of social inequality?

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