Portret van Lodewijk XIV, koning van Frankrijk 1818 - 1832

Editor: Here we have a portrait of Louis XIV, King of France, dating from 1818 to 1832, currently residing at the Rijksmuseum, created by Friedrich Wilhelm Bollinger. I'm struck by the contrast between the elaborate attire and the almost austere, geometric frame. What is your take on this portrait, considering its historical context? Curator: That’s a keen observation. This portrait speaks volumes about the construction of power through visual representation. Considering this was produced decades after Louis XIV's reign, it wasn’t just a depiction of a man, but an invocation of a specific model of kingship, and likely also a politically charged statement depending on when in that 14 year span it was created. How do you see the choice of making this a print impacting its meaning? Editor: I guess that it was perhaps for wide circulation; after all it doesn't look like the usual oil painting reserved for the rich nobility. But it begs the question; wide circulation to what end, and by whom? Was Bollinger commissioned, or was this a personal project, perhaps commenting on shifting political sands? Curator: Precisely. Prints democratized imagery, but their production and distribution were still controlled, often reflecting or reinforcing dominant ideologies. Consider who would want to revive the image of Louis XIV, and what political statements that act might make. Remember, in France, monarchy didn’t just vanish in 1789. Editor: So, beyond just aesthetics or artistry, understanding the political climate of early 19th-century France is essential for truly interpreting this work. Curator: Absolutely. The very act of choosing this subject matter, and disseminating his image, is itself a political act worthy of further investigation. Editor: I will definitely keep this in mind next time I approach an historical portrait; power is in every detail! Curator: And often in the choice of subject matter itself!