Titelprent met sokkel omringd door militaire attributen 1650 - 1695

This print, realized by Adam Perelle in the late 17th century, showcases a pedestal encircled by military symbols. During this era, France, under Louis XIV, was expanding its military presence, aiming for European dominance. The piece reflects the glorification of military power, with cannons, flags, and armaments carefully arranged. The central empty shield suggests a space for individual or national pride, ready to be inscribed with achievements. Consider how war imagery often intersects with notions of masculinity and power. How might this representation of military might affect viewers, particularly women, during that period? The print not only serves as a decorative piece but also as a form of propaganda. The pedestal, usually reserved for statues of heroes, is here adorned with instruments of war. This represents the deep connection between national identity, pride, and military success, reflecting the complex emotions tied to war and nationhood.