Brouwerij aan de oever van een rivier by Anonymous

Brouwerij aan de oever van een rivier 1614 - 1617

0:00
0:00

drawing, etching, ink

# 

drawing

# 

dutch-golden-age

# 

etching

# 

landscape

# 

ink

Dimensions height 54 mm, width 93 mm

Curator: Editor: We’re looking at "Brewery on the Banks of a River", created sometime between 1614 and 1617. It's a Dutch Golden Age etching and drawing in ink. The level of detail is quite impressive, but what really grabs me are all the signs of labor and production. What stands out to you? Curator: Exactly. We see not just the aesthetic surface but evidence of the physical labor needed for early manufacturing. The etching process itself mirrors this; consider the acid-resistant ground, the scratching of lines, the biting action of the acid, and finally the printing. It’s a collaborative dance between artist, material, and process. This connects it directly to the physical reality of running a brewery. Do you think this rendering idealizes the labor or reveals it as hard work? Editor: It’s a mix, I think. There's a certain quaintness in the scene. However, those barrels and the heavy equipment also speak to the demanding nature of the work. Is there a comment here on the burgeoning capitalist system emerging in the Netherlands at the time? Curator: Undoubtedly. These images offer us a glimpse into the infrastructures and trades vital to Dutch prosperity. The brewery isn’t just a charming scene; it’s an economic engine. Note how the drawing material--ink and paper--allows for easy reproduction, enabling the distribution of this economic "snapshot." Editor: So it's not *just* a landscape, but an active participant in promoting a worldview. I guess I’d always thought of the Dutch Golden Age as a period of beautiful paintings, but focusing on the means of production, the materials...it brings a completely different perspective. Curator: Precisely! Seeing art through a material lens encourages us to look beyond aesthetics and appreciate the work as a product of its time, shaped by material realities and labor. Editor: Thanks, I’ll definitely be looking for those signs in future artwork!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.