"Miltiades bei Marathon" 1807

Curator: This is “Miltiades bei Marathon” by Meno Haas, an engraving produced in 1807. At first glance, what stands out to you about the piece? Editor: The austere, linear quality of the engraving lends it an almost sculptural coolness, which certainly mutes the drama of the scene. A moment frozen in time with sharp edges. Curator: Absolutely. It aligns quite well with the neoclassical movement. This print depicts a pivotal moment during the Battle of Marathon. Miltiades, the Athenian general, is depicted swearing an oath before a makeshift altar. His raised hand, mirrored by another soldier, is visually striking, directing our gaze upwards. Editor: Tell me more about this emphasis on verticality, both the soldiers' raised arms and the altar seem very deliberate. Does the artist create this to infer divine oversight and validate their cause? Curator: I'm so glad you ask! Neo-classicism at the time of the Napoleonic era sought historical, particularly greco-roman subject matter for its value to construct an elevated visual narrative meant to idealize moments in public life and politics. And by focusing on classical virtue, Haas' print evokes a sense of solemnity and historical weight, reinforcing themes of patriotism and duty. The almost rigid arrangement of figures serves to enhance that feeling. Editor: So, this image presents a moment ripe for public political messaging, yes? Consider the significance of circulating imagery, especially engravings, to bolster nationalism. What type of citizen would view this? What class? Curator: Most likely, this work circulated within a middle-to-upper class audience. Prints could be collected and appreciated for their refinement in execution and access to elevated culture. I also find it fascinating how Haas balances a sense of classical purity with subtle touches of humanity in their facial expressions, although the engraving prioritizes legibility above all else. Editor: I agree, there's a definite stoicism on display, although, to a contemporary viewer, this may come across as artificial and contrived! Despite the medium's limitations, it successfully presents both political messaging, but also evokes the tension present before a legendary battle. I have new insights! Curator: As do I, the blending of public political will with individualized expression makes me question the success of purely "formalist" observations about any artwork's reading.