drawing, paper, graphite
drawing
landscape
paper
graphite
realism
Dimensions height 286 mm, width 208 mm
Editor: This graphite drawing on paper, entitled "Oliemolen" or "Oil Mill," dates back to between 1787 and 1808, created by Jan Brandes. It looks like a technical drawing, depicting the workings of machinery. I'm intrigued by the attention to detail and wonder about its purpose beyond pure documentation. What can you tell me about it? Curator: Well, focusing on the materiality, consider graphite and paper itself. They were readily available and relatively inexpensive. The choice points towards function; this wasn't meant to be displayed as 'high art,' but to record knowledge, perhaps for replication or improvement of this technology. We must ask, who was the intended audience? Was it for other artisans or for potential investors in this specific labour-saving oil extraction technology? The social context here shifts how we value the drawing. Editor: So, it’s more about the sharing of technological ideas and practical knowledge rather than aesthetic expression? Curator: Precisely! See how Brandes prioritizes clarity over artistry. It is focused on materials used, method of assemblage, efficiency achieved. Look at the detail on each gear. Every line shows his command of that oil extracting method; consider its source of energy, an oxen is even sketched in the top part. Are we examining just the artist's work or are we, by extension, discussing society's evolving industrial practices? Editor: That’s fascinating. I hadn’t considered the societal implications of what is basically an instruction manual of materials! Curator: By acknowledging these elements—labor, raw materials, even animal energy source used to power it all—we shift our gaze toward the mechanisms of 18th century culture. This 'Oliemolen' provides valuable insight regarding our methods of producing commodities then. Editor: I see it so differently now! It’s not just a drawing; it's a glimpse into 18th-century industry and resourcefulness and reliance on non-human actors to fulfill material extraction. Thank you for opening my eyes!
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