Italian Marketplace with a Quack Dentist by Johannes Lingelbach

Italian Marketplace with a Quack Dentist 1651

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painting, oil-paint

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narrative-art

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baroque

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painting

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oil-paint

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figuration

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cityscape

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genre-painting

Dimensions height 68.5 cm, width 86 cm

Editor: So here we have Johannes Lingelbach's "Italian Marketplace with a Quack Dentist," painted in 1651, rendered with oil paints and currently housed in the Rijksmuseum. The marketplace teems with activity, yet the muted color palette gives it a somewhat somber feel. What stands out to you in this genre painting? Curator: The chaos, actually, speaks to me. Lingelbach wasn’t just painting a pretty picture, was he? He's capturing the whole *vibe* of a bustling marketplace. The light and shadow play feels deliberate. See how it emphasizes the “quack dentist”? Almost like a little theatre stage. What do you make of his unusual profession featured here? Editor: Right! I mean, a dentist in the middle of a marketplace feels... unusual, to say the least! Maybe it's a commentary on accessible healthcare, or a jab at medical charlatans? The crumbling Roman architecture in the background – it creates this sense of past glory juxtaposed with everyday life, doesn’t it? Curator: Absolutely. It's Rome, after all! Ruins are just part of the scenery. Lingelbach cleverly places this fleeting moment, tooth-pulling and all, against a backdrop of enduring history. He is making us wonder, “Will the dentist be remembered or will it be the Roman ruins?”. He nudges us toward that perspective, you know? How does that sit with you? Editor: It’s a clever visual trick! So, the painting isn't *just* about the scene in the market. The backdrop frames this sense of transient human activity set against timeless history. Very cool, it gives a new meaning to urban art. Curator: Precisely. These little everyday stories playing out against a backdrop of ancient grandeur. I find the idea so darn romantic, in an oddball way! I can picture Lingelbach enjoying this market every day! Editor: Thanks for shining a light on Lingelbach's vision! It is not a flat view of a marketplace; I'm leaving with an understanding of Rome's relationship between its fleeting everyday and its constant history. Curator: My pleasure, art is always offering more if we just meet it halfway!

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Lingelbach made sketches from life in Rome, from which he composed this imaginary marketplace after he returned to Amsterdam. The figures take no interest in the antique ruins; their attention is absorbed by the tooth-puller at the left, who treats his victim while on horseback. In the centre, two men play morra (which involves them guessing how many fingers their opponent will hold up). At right is a ciambellaro selling pretzels and other refreshments.

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