Jongen met een hoed by Pieter Anthony Wakkerdak

Jongen met een hoed 1740 - 1774

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drawing, pen

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portrait

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drawing

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baroque

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caricature

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caricature

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pencil drawing

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pen

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genre-painting

Dimensions: height 143 mm, width 108 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Boy with a Hat," created sometime between 1740 and 1774 by Pieter Anthony Wakkerdak. Editor: Oh, he looks like he's got a secret, a twinkle in his eye despite the sepia tones of… is that a pen drawing? It has such warmth to it. Curator: Indeed. This captivating portrait, rendered in pen and pencil, captures a candid moment, wouldn't you say? Look closely at how Wakkerdak employed his materials to depict both the subject’s face and the somewhat askew, baroque-styled hat. Editor: Right, and that's where I'm drawn in. The quick strokes… almost a study of character, not just likeness. Is it the cheap paper of the time, perhaps, that gives it that lovely faded feel? This wasn't meant to impress royalty; this was a sketch made for the marketplace. I can see the value in that… Curator: Certainly, there's a delightful roughness to the caricature-esque style that removes all pretension. Do you see how the composition directs our gaze, placing his head just off-center with the slightest suggestion of a tilted chin? And such detail in his eyes. The overall impression transcends mere observation. Editor: It hints at class anxieties. He is of middling class wearing finery, and Wakkerdak knows that! You see it in that smirk...it is the slyness of knowing, not of royalty but of surviving. Curator: Interesting! It speaks to a genre-painting quality as well, depicting an everyday sort of life that invites speculation. Who was this young man? What were his hopes? His fears? Editor: Precisely. We can feel a sort of human sympathy, observing him without judgment—rather, through observation, the social constructs he must maneuver. The artist captured that performance using readily available supplies like paper and pencil. Curator: The simple tools emphasize, paradoxically, his social positioning, yes. There's such depth suggested within those minimal marks. It leaves me wondering how such commonplace material, deftly utilized, becomes something quite transcendent. Editor: For me, seeing the handmade lines reminds me how far we are removed today, yet bound up in class. How consumption drives our daily portraits to this day—just consider TikTok! Anyway, I feel like I have gained more respect for drawing...

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