Scuola perfetta per imparare a disegnare 1599 - 1629

Pietro Stefanoni created this etching titled "Scuola perfetta per imparare a disegnare," or "Perfect School for Learning to Draw," during the late 16th century. At first glance, it seems a simple guide on hand positions, a kind of instruction manual, a way to learn to draw. But if we delve a little deeper into the social and institutional history of art training, we can begin to see the politics of imagery. Consider, for example, the prevalence of academies at the time. These institutions enforced strict rules about drawing and form, making the artistic process rigid. Stefanoni’s title is thus ironic, as it seems to be a reaction against academic strictures. To understand Stefanoni’s aims better, we might consult archival records relating to art education in 16th-century Italy or examine other etchings from this period. This artwork, while appearing simple, offers insights into the changing social structures of artistic education.