Seated Woman, her Left Hand in her Lap and her Right Leg Pulled Up 1641 - 1664

Cornelis Bega made this drawing of a seated woman with black chalk and brush on grey paper. The composition, dominated by soft, shaded contours, gives us an intimate look at the figure. The contrast between light and shadow emphasizes the texture of her clothing and the gentle curve of her posture. Bega’s choice of medium and the monochrome palette create a study in form, rather than a detailed portrait. The woman’s pose is carefully constructed, with her leg drawn up and hand resting in her lap to suggest a sense of ease and introspection. The lines are soft and flowing, with the shading adding depth and volume. Note how the lines of the body and the folds of the dress, while realistic, also serve as abstract shapes that come together to form the complete image. It invites us to consider not just who she is, but also how she is represented. The drawing is a dialogue between representation and abstraction, between the individual and the universal.