Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel by  Sir Max Beerbohm

Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel 1916

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Dimensions: support: 292 x 394 mm

Copyright: © The estate of Max Beerbohm | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Sir Max Beerbohm, a prominent figure in the late 19th and early 20th century, created this curious artwork, "Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel." It resides here at the Tate. Editor: It's wonderfully odd! The pastel hues and flattened perspective give it a dreamlike, slightly unsettling quality. What's with all the animals? Curator: Beerbohm, known for his caricatures, often explored social dynamics through his art. The materials – likely watercolor and pencil – allow for delicate details, highlighting the textures of clothing and the whimsical expressions. Editor: The composition feels ripe with social commentary. The central figure's isolation, framed against the backdrop of communal engagement, speaks to alienation. Is Gabriel, perhaps, a commentary on artistic inspiration, accessible only to a select few? Curator: Possibly! The figures in the background appear caught up in something ethereal, while the animals add a layer of the absurd. It leaves us pondering the means of artmaking. Editor: Indeed! This piece encourages us to consider whose voices and experiences are elevated and why. The figures' gazes, the animals' antics—all invite us to question prevailing narratives. Curator: A fitting reminder of the complex social fabric that shapes artistic creation. Editor: Yes, a reminder that what we see is always filtered through layers of history, power, and perspective.

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tate's Profile Picture
tate 6 months ago

http://www.tate.org.uk/art/artworks/beerbohm-mr-william-bell-scott-wondering-what-it-is-those-fellows-seem-to-see-in-gabriel-a01056

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tate's Profile Picture
tate 6 months ago

In his series of watercolours evoking 'Rossetti and his Circle', Beerbohm investigated the varied associates attracted by Rossetti's magnetic personality. This watercolour gives the impression that the artist William Bell Scott remained aloof from Rossetti's influence, an assumption based on the shortcomings in Rossetti's character that Scott recorded in his autobiography of 1892. In fact, Scott was one of Rossetti's close friends, along with Ford Madox Brown, Burne-Jones, Algernon Charles Swinburne, Walter Pater and William Morris, who are all depicted in this scene. As the snarling wombat and the well-mannered kangaroo suggest, Rossetti kept a strange and exotic menagerie in his garden at Cheyne Walk. Gallery label, August 2004