Remembering Lao Tse (Shaving off a Second) 1967

Curator: This sketch, executed in ink and pen by Brett Whiteley in 1967, is titled "Remembering Lao Tse (Shaving off a Second)." Editor: It's rather unsettling. The hand pointing out seems accusatory, and the overall effect is frenetic, chaotic even. The line work is almost aggressively energetic. Curator: Consider that title; it hints at the cultural context of the 1960s. The interest in Eastern philosophies like Taoism, often expressed as a desire for simplicity and inner peace. Whitely was known for his experimental use of materials. This drawing, though appearing spontaneous, clearly reveals a considered exploration of line and form. Look closely at how he's layered the ink to create tonal variations and texture. Editor: The swirling lines give a dynamism and depth, yes, but I think that is primarily expressionistic. Note how the facial features are slightly distorted, especially around the eyes; it amplifies the sense of unease. Also, what are those almost calligraphic strokes coming off the side of the head? Curator: They serve a compositional purpose, guiding the eye, but you’re right. We must address that the portrait here isn’t just any figure. It is heavily speculated this is a self-portrait, linking the writing and image to Brett Whiteley and the artistic labour behind making and communicating art as an act of self discovery. Editor: This image speaks more loudly about Western struggles and how those ideals conflict with his actual behaviour. You can consider that within the self-portraits here Whitely sees both a mirror and a way to mediate external philosophies. Curator: I suppose the materiality of the work speaks for itself; simple ink and pen on paper to explore complex inner thoughts. Editor: Well, it gives you a lot to chew on when examining line, depth, tonal relations and emotional delivery as well.