Studies for the Raising of the Daughter of Jairus by Anonymous

Studies for the Raising of the Daughter of Jairus 

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drawing, pencil, charcoal

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drawing

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charcoal drawing

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figuration

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pencil drawing

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pencil

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charcoal

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history-painting

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academic-art

Dimensions: overall: 27.4 x 38 cm (10 13/16 x 14 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This drawing, titled "Studies for the Raising of the Daughter of Jairus," employs both charcoal and pencil to explore a figure composition with drapery. Editor: It has a certain… ghostly quality. The pale figures emerge from the grey paper almost like memories or visions. Curator: The artist focuses intently on the folds of the drapery, using dense hatching to give weight and form to the fabric. We see different angles, different poses, really an exploration of the material and how it articulates the underlying forms. Editor: Considering that this is Academic art, it's hard to ignore how it fits into a broader project of legitimizing religious or historical subjects. I wonder, what role do these studies play in the production and distribution of Academic art within its social circles? Curator: Right. And even in a "study" like this, it's clear the labor that went into its production is valued as an art object, which tells us about artistic training at the time. Someone really worked over this paper, you can see it in the layers of charcoal and the almost obsessive detail on the robes. Editor: These figure studies could have easily served as examples in classrooms for young academic artists on representing idealized humans, instilling these canons and systems of creating acceptable and validated figure drawing throughout institutions and their artists. Curator: I see what you're saying, how the means of production itself carries meaning, as opposed to just focusing on the narrative it’s preparing. Editor: It’s interesting how what may seem like mere preparation plays into an economy of art production where academic skills and traditions reinforce value systems of those in charge. These institutions shape cultural perception by validating styles and dictating standards of the field of fine art. Curator: It adds another layer to our understanding. Editor: Definitely a testament to the way that societal structures affect artistic processes. Curator: Agreed. Something to keep in mind as we move through the collection.

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