Handwoven Coverlet c. 1937

Editor: This is a design for a handwoven coverlet by Cornelius Christoffels, created around 1937. The drawing depicts an intricate geometric pattern in red and blue. I’m immediately drawn to the way the design evokes a sense of both tradition and modernity. What strikes you about this textile design? Curator: The coverlet's design resonates with me particularly in the context of the American textile industry during the 1930s. The repetitive geometric patterns speak to a larger historical context: What socioeconomic class was this coverlet intended for, considering the time of its creation? The Great Depression likely influenced its creation. Was it produced for mass consumption, or made by hand? Editor: That’s interesting. I hadn't considered its potential function in commerce, or the implied politics of craft. So how would you start to dig deeper into this kind of social history? Curator: We might consider what role institutions and policies, such as the New Deal, had in promoting craft and textile production as sources of income and artistic expression during that period. Or perhaps consider who it served; how it connected or related to particular community identities, and even local economies. Do you notice particular regions known for specific patterns during this time? Editor: I do see connections to regional styles in its colors and some geometric aspects of the patterns. Curator: Exactly. Those details may tie into social structures prevalent during that era. Ultimately, the coverlet invites a deep investigation into craft and identity in America during the Depression era. Editor: It's amazing how an everyday item can be such a loaded reflection of a historical moment! It really pushes the boundaries of textile design! Curator: Indeed. It highlights that art, even functional art, is always interwoven with broader societal trends.