Dimensions: support: 1270 x 1073 mm frame: 1447 x 1236 x 100 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Gilbert Soest’s portrait of Henry Howard, the 6th Duke of Norfolk. It's striking how his elaborate clothing contrasts with the somber seascape behind him. What can you tell me about this piece? Curator: Think about the era. This portrait is more than an image of a man; it's a statement about power, class, and England's relationship with the sea. The Duke's finery, juxtaposed with the ships, symbolizes the wealth derived from maritime trade and colonial ambitions. Do you see that connection? Editor: I do. So, it’s not just about the Duke himself, but the whole system that supports him? Curator: Precisely. The portrait subtly critiques the social structures of the time, inviting us to question the cost of such grandeur. I wonder, what does this image tell us about the relationship between personal identity and social structures? Editor: That makes me think about the ongoing legacy of wealth and power and how it's portrayed even today. Curator: Exactly. Art is never truly separate from the world around it.
http://www.tate.org.uk/art/artworks/soest-henry-howard-6th-duke-of-norfolk-t00746
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When he was young, Howard and his Royalist family were forced to leave England during the civil war. His grandfather, the Earl of Arundel, was the foremost patron and collector of art after the king, but his magnificent collection was dispersed as a result of the war. Howard returned to England after the Restoration of Charles II in 1660. He was appointed Ambassador-Extraordinary to Morocco in 1669, so the ships may refer to his mission. Soest was probably born in the Netherlands in about 1605, and seems to have arrived in England in the late 1640s. Gallery label, April 2007