Britannia Crowning the King [reverse] 1761

Editor: This is Johann Lorenz Natter's silver medal, "Britannia Crowning the King," created in 1761. The scene is striking; Britannia, a regal female figure, crowns a seated king. The symbolism feels very intentional and constructed, but I'm curious what underlying meaning lies here. What catches your eye? Curator: I’m immediately drawn to the complex interplay of power and allegiance represented by these figures. Britannia, embodying the spirit of Britain, bestows the crown. It is more than just a ceremony, it's a visual statement of the king’s legitimacy, derived, at least in part, from the symbolic consent of the realm, wouldn't you agree? Editor: I see what you mean! It is as if his power comes from the land itself. I hadn't considered that she also holds a trident, and is seated next to a shield – she has all the power. What about the lion below, near the King’s feet? Curator: Excellent observation. The lion, of course, represents courage, pride, and England itself. Its placement near the King’s feet suggests these qualities and perhaps the country's strength support him, and that he needs them! Do you see how Natter links not just figures, but virtues, and the land itself? Editor: So the king’s power is intertwined with the strength of Britain and the virtues the lion embodies? What does that imply about his reign? Curator: It suggests his reign is dependent on these things. Any actions betraying them would undermine his rule. Remember that Neoclassicism returns to the ancients, as it reminds its audience of cultural memory and the cost of the throne. Editor: I see how the piece isn’t just commemorative, but also a reminder, maybe even a warning about the responsibilities and symbolic burdens of kingship. Curator: Precisely! It transforms a historical moment into an enduring statement about power, responsibility, and cultural identity.