Dimensions: support: 1156 x 1651 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This painting, "Toil, Glitter, Grime and Wealth on a Flowing Tide" by William Lionel Wyllie, feels like a snapshot of bustling industry. All these ships and workers… what story do you think Wyllie is trying to tell here? Curator: It's less a story, I think, and more an experience. Note the 'toil' close to us, the workers, the dirt. Then the 'glitter' further back—grand ships, commerce, opportunity. Wyllie, like a poet, uses the river as a metaphor, flowing from the grit to the gleam. Do you feel that pull in the composition? Editor: I see it now – the light guiding my eye back towards the ships. It’s almost romantic, despite the grime! Curator: Exactly! He finds beauty in the industrial chaos. It reminds us that progress often carries a cost, and that even in the dirt, there is a certain beauty, isn't there? Editor: Definitely something to ponder as we continue through the gallery. Thanks for the perspective!
Comments
http://www.tate.org.uk/art/artworks/wyllie-toil-glitter-grime-and-wealth-on-a-flowing-tide-n01580
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Wyllie’s marine paintings capture the busy working life of the Thames in its heyday when London was the biggest and richest port in the world. This scene has been identified as the Pool of London below London Bridge, looking towards the dome of the Old Royal Naval College in Greenwich. The title of the picture is evoked by the contrast between the dirt and toil of the men working on the coal barge and the implied wealth that is generated when coal is converted into steam for industry. Gallery label, September 2004