Stehender weiblicher Akt, die Linke in die Hüfte gestützt, die Rechte auf dem Oberschenkel 

This is a pencil drawing of a standing female nude by Victor Müller, made in the 19th century. The figure stands with her weight shifted, one hand on her hip and the other resting on her thigh. This contrapposto pose, echoing classical sculptures, has journeyed through art history, signifying not just physical balance but also a certain self-assuredness. Consider how Botticelli's Venus uses a similar stance to embody idealized beauty. Yet, here, the gesture seems less about perfection and more about a natural, grounded presence. We see a symbol of the divine feminine re-emerging in more human and personal terms. How does this drawing resonate with our own understanding of the body and the self? The figure's gaze directed upwards might represent aspiration, or even defiance, suggesting a deep-seated desire for recognition and self-expression, timeless sentiments that echo through the ages.