Pa. German Box by J. Herman McCollum

Pa. German Box c. 1940

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drawing, watercolor, wood

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drawing

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sculpture

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charcoal drawing

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watercolor

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folk-art

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wood

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charcoal

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watercolor

Dimensions overall: 25 x 33.5 cm (9 13/16 x 13 3/16 in.) Original IAD Object: 10" high; 16" long; 8" wide

Curator: At first glance, I'm struck by the rustic simplicity, yet there's an undercurrent of tenderness in the object rendered. Editor: Indeed. Here we have J. Herman McCollum's "Pa. German Box," created around 1940. It's a depiction, rendered with watercolor and charcoal drawing on paper, of a handcrafted wood box. This object speaks volumes about Pennsylvania German folk art and its cultural significance within early 20th-century American craft. Curator: Those carved hearts jump right out! They are classic examples of "distelfink" motifs symbolizing good luck and happiness, a vital connection to cultural identity for the Pennsylvania Germans. It speaks of the desire to bring optimism even in uncertain times. Editor: Absolutely, these visual motifs were like symbolic shields and they’re not just decorative, they were believed to offer tangible blessings of protection to the family to which this object might have belonged. The presence of these symbolic heart cut-outs transforms the mundane into the spiritual. This creates a cultural context steeped in communal values and social history. Curator: The artist captures that age-old, comforting essence, and it's all rendered with humble, available materials; the kind of objects that become carriers of family and community history, which is deeply valuable in times when that identity is challenged or shifting. How might the context of the time period and the work's cultural influences challenge preconceived notions about value and art, and elevate craft practices? Editor: I see McCollum's choices as emphasizing both belonging and also a kind of permanence. Notice, how this work presents a vision for retaining traditions in a rapidly industrializing world, serving as both an aesthetic expression and an affirmation of cultural continuity. Curator: It encourages me to reflect on how everyday objects can carry rich historical and cultural weight, challenging my assumptions about artistic intention. I see now that it's about representing and also valuing these humble symbols of protection and history. Editor: For me, too, this invites further explorations of these visual icons; It reminds us that even within seemingly straightforward images there exist rich, interconnected narratives, waiting to be decoded.

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