Raphicerus campestris (Steenbok) Possibly 1777 - 1786

Robert Jacob Gordon rendered this watercolor drawing of a Raphicerus campestris, or Steenbok, in the late 18th century. It offers a glimpse into the natural history of the Cape region. Dominating the composition are the serene figures of the antelope. These animals, with their slender legs and graceful posture, may remind us of the classical motif of the deer, a symbol of purity, gentleness, and vigilance. Consider the deer's earlier appearances, such as the stag in ancient Greek mythology, sacred to Artemis, goddess of the hunt, or in medieval Christian art, where it represents the soul thirsting for God. Even now, the subconscious allure of the deer persists, embodying a primal connection to nature. The emotional resonance of this depiction lies in its ability to evoke a sense of harmony between humanity and the natural world. Ultimately, the enduring presence of the deer motif in art reflects our collective yearning for innocence, grace, and a deeper understanding of our place within the cosmos. The symbolism goes on, reappearing in new contexts and continually shaping how we perceive the world around us.