Chest Lock and Hasp by Al Curry

Chest Lock and Hasp c. 1938

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drawing, watercolor

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drawing

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sculpture

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charcoal drawing

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watercolor

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coloured pencil

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watercolour illustration

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academic-art

Dimensions overall: 36.5 x 44.5 cm (14 3/8 x 17 1/2 in.)

Curator: What a fascinating arrangement of forms. They look almost…archeological, somehow, evoking a forgotten technology. Editor: Indeed. We’re looking at Al Curry’s "Chest Lock and Hasp," dating back to approximately 1938. It appears to be a detailed study combining watercolor, coloured pencil, and drawing. The work gives us a clear depiction of these now-obsolete mechanisms. Curator: The formal properties really strike me—the contrast between the solid masses and the delicate perforations in the lock plates. The composition directs the eye downward. Editor: Quite right. The circular lock plates suggest protection, certainly. I am thinking of safeguarding memories and valued things of the era, objects which would have needed protection during tumultuous years. Notice also the patina, which almost seems a kind of symbolic scar from a time of social anxiety. Curator: Yes, the artist's choice of muted tones amplifies that feeling. However, I can't help but focus on the meticulous rendering. Every line, every shadow…the materiality of these metal objects is almost palpable, particularly in the hinges! Editor: It’s curious, isn’t it? The hinges, the clasp. Almost architectural themselves, wouldn't you say? These pieces feel almost organic—perhaps reflecting a sense of things made with care during a less mechanized age. And also suggesting closure or entrapment. Perhaps something we wished to keep shut out? Curator: Or things we wish to keep safely inside? Formally speaking, these visual cues of texture add such depth, which, to me, transcends symbolic readings. They seem to echo Cubist collage elements with a dash of the industrial precision we see in someone like Léger. Editor: An interesting counterpoint to its functional genesis. All these interpretations truly demonstrate the ability of humble objects to transcend their material origins. Curator: Absolutely. The visual weight carries a surprising tension between decay and detailed analysis. Editor: It reminds me that even mundane tools carry potent traces of humanity. Thanks for helping me unlock that interpretation.

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