Bill Collins, Catcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes 1887
print, photography, albumen-print
portrait
aged paper
baseball
photography
genre-painting
athlete
albumen-print
realism
Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Editor: So this is a baseball card from 1887, part of the "Old Judge" series by Goodwin & Company. It's an albumen print featuring Bill Collins, a catcher from New York. It has this sepia tone and aged quality which gives it a very nostalgic feel, doesn't it? What stands out to you when you look at this image? Curator: The symbol of the catcher is incredibly potent here. Notice his gear—a primitive carapace offering protection in a ritualized confrontation. He’s not just a sportsman, but an archetype: the guardian, the one who anticipates and absorbs the impact. What does this posture and equipment tell you about American ideals at the time? Editor: It almost feels like a medieval knight preparing for battle, protecting something valuable! The team, perhaps? Curator: Precisely! And baseball itself, by 1887, was becoming more than just a game. It was a symbol of American values: teamwork, discipline, and striving for a common goal. How does seeing it packaged and sold with cigarettes affect that imagery? Editor: It does cheapen the purity of the image. Now it’s also about marketing and commercialism. I hadn't thought about that. Curator: Indeed. And that juxtaposition, the idealized athlete promoting a harmful product, creates a powerful tension. Think about what this says about the emerging mass media and advertising of the time. Editor: I'm starting to see how this little card speaks to so much more than just baseball. Curator: It captures a specific moment in American culture, blending sport, commerce, and the evolving iconography of national identity. Seeing these familiar things packaged together in this era makes me curious about what we idealize and how products can affect perceptions of our memories.
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