Komfoor, behorend bij kraantjeskan by Wijnand Warneke

Komfoor, behorend bij kraantjeskan 1778

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metal

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metal

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decorative-art

Dimensions height 3.6 cm, diameter 19.3 cm, weight 337 gr

Curator: Immediately, I’m struck by the smooth, almost liquid quality of the metal. The reflections suggest a high level of craftsmanship, even before considering its practical use. Editor: Indeed. What we have here is a 'Komfoor, behorend bij kraantjeskan' crafted by Wijnand Warneke around 1778. It would have been part of an ensemble, designed to hold a small tap-fountain. Curator: So, a hot water stand essentially. The use of metal – seemingly silver – would have provided heat retention, and perhaps even gentle warming with a small spirit burner below. It feels decidedly upper class. I’m very curious as to its creation. How was metalwork perceived at that time, and who was crafting such objects? Editor: It reflects a specific societal value system. Objects such as these reinforced the rituals of social life. Consumption, in this case likely of tea or warm beverages, became intertwined with displays of wealth and refined taste. Ownership of ornate silverware signalled membership in the upper echelons. Curator: It really forces one to think about labour. The skill of the silversmith in shaping such smooth forms and those delicate feet, not to mention the resources extracted to produce such things! Editor: The decorative arts had a clear public role in 18th century European society. They were highly visible symbols of civic identity and social rank. Museums like this one played a significant role in reinforcing this connection to elite history. It becomes a commentary on luxury, then and now. Curator: I suppose it’s impossible to divorce the aesthetics from that cultural context. Knowing its intended function does elevate its interest beyond its pure visual appeal for me. Editor: Ultimately, this object highlights a fascinating collision of functional design and social statement, prompting contemplation on material culture and social dynamics. Curator: For me, thinking about its process and its context is the first step into considering what this object truly is: a convergence of skill and symbolic worth.

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