James Bogert, Jr. 1832 - 1835

This is Henry Inman's portrait miniature of James Bogert, Jr., made with watercolor on ivory. The use of ivory as a ground is key here. Its smooth, hard surface allowed Inman to build up layers of translucent color, creating a remarkable sense of depth and detail despite the small scale. The colours possess a luminous quality because of the way light interacts with the ivory underneath. Producing a likeness in this way demanded intense skill. Think of the labor involved – the grinding of pigments, the delicate application of washes with a fine brush, and the sheer control required to capture a sitter's features so precisely. And let's not forget the goldsmith who created the ornate frame, also requiring great dexterity. Miniatures like this were luxury objects, a symbol of wealth and status in the early 19th century. They speak volumes about a society that valued both individual artistry and conspicuous consumption. Seeing such exquisite works helps us to appreciate the complex relationship between handcraft, commerce, and social identity.