Sestertius of Faustina the Younger, Rome 161

Editor: Here we have a sestertius, a Roman coin, depicting Faustina the Younger. It's lovely, but I wonder about the imagery used on coins like this. What meaning would the images have for people? Curator: The imagery speaks volumes. The portrait of Faustina presents an idealized version of her, reflecting imperial power and virtue. On the reverse, the seated figure embodies a concept, perhaps Pax, Concordia, or another imperial virtue. Editor: So, it’s not just money but propaganda? Curator: Precisely! Symbols and images, carefully chosen, would resonate with the populace, reinforcing cultural memory and imperial ideology. Consider how potent these images were, circulated and exchanged daily. What do you think that says about the power of iconography in ancient Rome? Editor: That’s fascinating. I hadn't thought about how impactful everyday objects could be. Curator: Coins weren't just currency; they were portable symbols of power and cultural identity.