Dimensions: support: 940 x 667 mm frame: 1192 x 914 x 73 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Standing before us is "The Wine Press" by John Roddam Spencer Stanhope. Editor: It looks like a medieval fever dream, all wood and royal robes soaked in grape juice. The king or saint here seems both burdened and strangely serene. Curator: Stanhope, born in 1829, was associated with the Pre-Raphaelites, and this work certainly reflects their interest in symbolism and medieval themes, not to mention the religious undertones. Editor: Yes, the pose and setting evoke Christ's suffering, doesn’t it? Although it’s ambiguous, the barefoot figure, the crushing weight, it all hints at sacrifice. And is that a glimpse of paradise through the press? Curator: Perhaps, or maybe just the Tuscan countryside; Stanhope lived in Florence for much of his life. He saw the aesthetic possibilities of this region and, to me, he really shows them in the art he produced. Editor: Well, paradise or not, it’s a potent image, a blend of earthly labor and ethereal meaning. Curator: Absolutely, a visual poem about transformation and, perhaps, redemption.
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
This pictures illustrates the line from the Book of Isiah inscribed on the frame. Stanhope worked alongside Burne-Jones in the Oxford Union building during the project to dcorate its walls with scenes from the 'Morte d'Arthur'. Burne-Jones later reflected 'His colour was beyond any the finest in Europe; an exceptional turn for landscape he had too - quite individual. Rossetti was in a perfect state of enthusiasm about it - that was how he got to know him'. Gallery label, September 2004