Dimensions: image: 285 x 178 mm mount: 561 x 409 x 4 mm
Copyright: © Georg Baselitz | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have an untitled work by Georg Baselitz. This image, held within the Tate Collections, presents a fascinating visual field. Editor: Wild, isn't it? Like a field of unruly dandelions caught in a sudden gust. The thin lines give it this fragile, almost anxious energy. Curator: Indeed. Consider the symbolism of the flower. It often represents fleeting beauty, but here, it's rendered with almost aggressive strokes. Do you think that subverts the traditional reading? Editor: Absolutely! Baselitz seems to be saying, "Beauty isn't always gentle; it can be fierce, even a little bit scary". It reflects the rawness of the world itself. Curator: It calls to mind the cyclical nature of growth and decay, a potent reminder of life's ephemeral beauty. Perhaps that's why the artist never gave it a title. Editor: Maybe. Or maybe, just maybe, he wanted us to feel that rush of wind, that unkempt vitality for ourselves.
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Baselitz’s vigorous and expressive style, influenced by the drawing and paintings of the mentally ill, often represents the body as a site of anxiety. This series of prints show a female figure crouching and twisted. The body is fragmented: in some works, the head is cropped, while others feature only isolated limbs. The hatched and scored quality adds to the sense of raw spontaneity and even violence. Many of the prints include flowers and vegetation which, with the use of greens and browns, suggest wild nature and fertility. Gallery label, July 2015