Rooster and Family 1797

Editor: This is "Rooster and Family" by Ito Jakuchu, created in 1797. It's an ink on paper hanging scroll, so a painting but also almost like a textile with the way it’s mounted. There's something so domestic and serene about this rooster protecting his little chicks, all surrounded by these lush peonies. What strikes you most about it? Curator: Ah, Jakuchu. A delightful explosion of controlled chaos, isn't he? I love that "domestic and serene" is your first reaction because, honestly, that’s what *I* tell my relatives when they ask about my lifestyle. Serene. *Totally* serene. But, more seriously, look closely. Does the rooster look entirely benevolent? Notice the intensity in his gaze, the tension in his claws. It's like he's daring the world to even *think* about messing with his family. Editor: Hmm, I see what you mean. There's a possessiveness there. A protective rage, maybe? Almost like a samurai, but...a rooster? Curator: Precisely! Now you're cooking with rooster fat! Think about Japanese society at that time—highly structured, samurai code ever-present. Jakuchu cleverly inserts that spirit into, of all things, barnyard fowl. And the peonies! They're symbols of wealth and status. So, is he making a commentary on class, protection, or maybe the illusion of serenity we construct around ourselves? It's all there, layered within the exquisite brushstrokes. Editor: So, it's much more than just a pretty picture of some chickens! It's got these little subversive elements woven in. I was just admiring the cute family portrait. Curator: And it *is* beautiful! Never forget the beauty! Jakuchu understood that sometimes, the most profound statements are hidden inside the most pleasing packages. Never judge a book, or a rooster, by its cover. Editor: Definitely a different way of looking at it! I appreciate learning more about how the context elevates the viewing experience. Curator: Anytime, this was a clucking great experience.