Christ refusing the banquet offered by Satan 1820

Editor: Here we have William Blake's watercolor, "Christ refusing the banquet offered by Satan," from 1820. It’s… well, it’s certainly something. The figures are so ethereal and the whole scene feels otherworldly, almost unsettling. What do you see in this piece, what feelings does it conjure for you? Curator: Unsettling is a brilliant observation. Blake always felt like a man wrestling with angels, didn’t he? The swirling figures, Satan looming overhead like a fever dream... It's as if he's showing us the very moment of temptation, not as a seductive offer, but as a psychic assault. The textures—the scratchy lines, the almost frantic application of watercolor—contribute to this feeling. The rejection of worldly temptation through pure determination. Almost frightening when one acknowledges what 'could' be. What is it about the colouring that grabs you? Editor: The colors feel faded, almost ghostly, which enhances the feeling of this being a vision or a memory. Was Blake trying to convey that temptation, that this whole scene, isn't quite 'real' in the traditional sense? Curator: Precisely! Think of Blake less as a painter and more as a visionary. He was trying to depict the internal, the spiritual. This wasn't about representing reality, but about revealing the forces at play within the human soul. Notice how Christ is almost luminous, radiating an inner light, a stark contrast to the shadowed, chaotic forms surrounding him. Is it possible, though, that some darkness would linger despite His actions? Editor: I think there will always be shadows, Curator! Thinking of it as a battle for the soul really unlocks new avenues for understanding Blake's intent here. It’s definitely much more than just a history painting. Thanks so much for sharing. Curator: My pleasure! Next time you’re tempted by something shiny, perhaps a glimpse of Blake’s watercolor will offer needed strength and encouragement.