Mother and Child by Lobi

Mother and Child c. 20th century

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sculpture, wood

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portrait

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african-art

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mother

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stone

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sculpture

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figuration

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child

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sculpture

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wood

Dimensions 18 x 9 x 3 5/8 in. (45.7 x 22.9 x 9.2 cm) including base

Curator: Looking at "Mother and Child", an early 20th century wood sculpture created by a Lobi artist, the first thing I see is strength, but with an almost precarious vulnerability. Editor: You're right. It has this gravity to it, the weight of the world almost. The way the figure's elongated neck cranes under the spherical object balanced on its head feels very charged. But let's dig into it more, what are the Lobi people telling us through the imagery, through the iconongraphy here? Curator: The Lobi, from Burkina Faso and Ghana, frequently depict figures engaged in earthly tasks, and here we witness it! We're seeing the act of carrying, bearing the weight of both a burden overhead and a child clinging on with utter trust. Maybe this "burden" is actually symbolic for ancestral knowledge, something cherished. What do you make of the composition? It strikes me as intentionally destabilized. Editor: Precisely! Think about the symbolism: The round object may represent the head, consciousness, or even the cosmos, while the child—positioned somewhat abnormally, riding the mother—could signify dependence or even continuity, generationally speaking. And yes, it feels like a precarious balance, visually suggesting the constant negotiation that defines motherhood, a constant renegotiation. I love how African art captures our shared narratives! Curator: It's fascinating how it touches us. The patinated wood grain is really grounding; it really gives this feeling that she’s emerged organically, grown there— Editor: Rooted, yeah! Grounded literally and figuratively, connecting mother-child relationships to the Earth. You see echoes of the Venus of Willendorf and those primal feminine forms, enduring symbols refashioned. What an act of continuous cultural making it is, isn't it? Curator: Oh definitely! Even with limited resources or perhaps a primitive set of tools. So many emotions come through this anonymous carver! Editor: Well, now I have this deep admiration for the un-named Lobi sculptor and every artist expressing ancestral bonds so palpably.

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