Twee mannen, op de rug gezien c. 1915s - 1925s

Isaac Israels made this sketch of two men, seen from behind, with pencil on paper. It’s all about the confidence of the line, you know? The lines here are so spare, so economic, that they barely describe the figures, but somehow evoke a feeling of their presence. The tentative, almost ghostly quality of the marks gives the impression of the artist thinking, feeling, and searching. It's as though Israels is inviting us to witness his thought process, not just the finished idea, capturing the immediacy and energy of the creative moment. There’s a real connection here to the work of Edgar Degas, another artist fascinated by capturing fleeting moments and figures in motion. But while Degas often built up layers of pastel to create a sense of depth and volume, Israels strips everything down to its bare essentials. Ultimately, this sketch is less about what is depicted and more about the way of seeing.