Japanese White-eyes on a Branch of Peach Tree,” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3) 1800 - 1820

Kubo Shunman created this “Japanese White-eyes on a Branch of Peach Tree” print using woodblock printing, a laborious process that involves carving a separate block for each color. The texture of the paper gives a tactile quality to the image, hinting at the careful handwork involved. The way the colors are laid down, in precise but thin layers, gives the scene a freshness, as though we’re really seeing these little birds perched on the branch. Each block requires meticulous carving, registration and printing, demanding skill and patience from the artisan. Woodblock prints like this one were not considered ‘high art’ at the time; they were produced in multiples and sold at relatively low prices. This form of production involved a close collaboration between the artist, block carvers, printers and publishers. Paying attention to the materials and methods used in its making allows us to appreciate the artistry and skill involved in creating this captivating image. It also reminds us that art exists within a complex web of social relations, including labor and commerce.