Remembering Mad Meg 2011

Nalini Malani made this installation, called Remembering Mad Meg, using rotating cylinders with reverse paintings and projected shadows. It's like a process of layering and unveiling at the same time. Look at how the light hits these surfaces. It’s not just about seeing the image; it's about seeing *through* it, catching shadows and ghostly outlines. There's a watery, almost ethereal quality here. The pigment looks thin, like a stain that's been reapplied again and again, building up a history. See that spot near the centre, where it almost looks like ink is bleeding? It's like a little accident, but it adds to the piece's emotional depth. This layering of images and techniques reminds me of William Kentridge’s animated films. Like Kentridge, Malani isn't afraid of ambiguity. It's like she's saying that art isn't about answers; it's about embracing the questions.