Tabakspot van zilver versierd met parelranden, op houten blad by Daniël Scholenaar

Tabakspot van zilver versierd met parelranden, op houten blad after 1791

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silver, metal

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silver

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metal

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decorative-art

Dimensions height 16.5 cm, diameter 13 cm, weight 839 gr

Curator: Here we have an exquisite tobacco jar dating from after 1791. It's silver, adorned with pearl-edged embellishments, and sits upon a wooden base. Editor: Oh, how utterly precious! It makes me want to handle it and feel its weight and smooth, cool surface. There’s an incredible sense of refinement; like holding captured moonlight. Curator: The jar itself represents a period of significant colonial trade, and we must not shy away from examining tobacco's role in those exploitative economies. The pearl edging adds an intriguing dimension—linking skilled artisanal craft with global patterns of consumption. It compels you to question what such an object represents, doesn't it? Editor: Indeed! Though initially, my eye’s drawn to the aesthetic impact. Those neat little pearl edges catch the light so charmingly, contrasting with the heft of the cylindrical body. It's both visually soothing and delightfully opulent. Almost like it would hum a little song while it keeps your tobacco safe and cozy. Curator: Examining the construction itself provides a rich understanding. Consider the labor involved. Each of those 'pearls' had to be individually affixed! And how did that division of labor manifest? Who were the artisans crafting this level of refinement, and under what conditions? It's crucial to interrogate what's visible – and, critically, what's obscured. Editor: That brings another layer! This becomes an invitation to reflect – perhaps with a whimsical spirit, even, on the strange beauty hidden in material culture. It is just beautiful craftsmanship born out of painful, global movements. Curator: Exactly. Even appreciating beauty carries ethical implications. Reflecting on production conditions, we confront not only this object's design and material reality but its historical position in global systems of extraction and commodification. Editor: Well, that is certainly some food for thought with my cup of tobacco. Curator: Indeed. A valuable lesson: even within seemingly delicate objects, there's an opportunity for rigorous material and ethical awareness.

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