Embroidered sampler by Cynthia Alden

Embroidered sampler 1802

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drawing, mixed-media, textile

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portrait

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drawing

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mixed-media

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textile

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folk-art

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united-states

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decorative-art

Dimensions: 14 3/8 x 12 5/8 in. (36.5 x 32.1 cm)

Copyright: Public Domain

Curator: What catches my eye is how incredibly fragile and intimate this sampler seems, almost whispering stories of a life carefully stitched onto fabric. Editor: Indeed. What we have here is an embroidered sampler, dating back to 1802. The piece, currently housed in the Metropolitan Museum of Art, was created by a Cynthia Alden. As a mixed media artwork, combining drawing and textile elements, it presents a fascinating glimpse into early American decorative arts. Curator: I'm immediately drawn to the verse, its plea for humility and the mention of learning. In that context, how can we consider samplers not merely as displays of needlework skill, but also as vital texts documenting women’s education, labor, and religious belief systems of the era? Editor: Exactly. Samplers served as concrete manifestations of a young girl’s education within the domestic sphere, providing crucial training for household management and nurturing essential moral virtues through selected texts. Also note “Claremont, May 26” is stitched in the bottom-right corner of this piece. Perhaps Claremont, New Hampshire, or possibly a relative in that area? The historical records might give us context into Cynthia's socio-economic and religious circles. Curator: You're right. And I find it compelling how these skills intersect with notions of virtue and domesticity, essentially policing women’s roles in society under the guise of pious expression. Editor: To counterpoint, although constraints certainly existed, doesn’t art like this also illustrate creative agency? These samplers represent expressions of individuality within permissible frameworks—subtle acts of rebellion against pure utility and constraints, if you like. Curator: Hmm… food for thought. Cynthia Alden's creation prompts vital conversations about American girlhood, piety, labor, and the subversive potential that lies hidden within prescribed creative outlets. Editor: Well said. By examining it within broader educational and cultural practices, we can learn a great deal.

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