Broedende snip 1892 - 1937

Henri Verstijnen made this print of a brooding snipe – Broedende snip in Dutch – and you can really see his hand in the making. The overall effect is a kind of shimmering, scratchy green, like a memory of a field. Look closely and you can see the textures left by the etching process, those tiny lines that build up the image. It’s not just about representation; it’s about the feel of the metal, the bite of the acid, and the transfer of ink onto paper. The color, a muted green, adds to this sense of quiet observation. It’s earthy, almost camouflage, reflecting the bird’s natural habitat. Notice how the white lines defining the bird and reeds are so bold, yet minimal. This print reminds me a bit of work by other naturalists, like Audubon. Except Verstijnen is less concerned with scientific accuracy and more interested in conveying a feeling, an atmosphere. Art isn't about fixed meanings, it’s about opening up possibilities.