silver, sculpture
silver
sculpture
decorative-art
Dimensions: .12 a : H. 10 1/2 in. (26.7 cm); Diam. of top 9 3/4 in. (24.8 cm.); W. 11 in. (27.9 cm.); Diam. of base: 5 1/2 in. (14.0 cm.) (Cooler); .12 b: H. 5 7/8 in. (14.9 cm.); Diam. of top: 5 1/4 in. (13.3 cm.) (Jacket); .12 c: Diam. 7 3/4 in. (19.7 cm.) (Rim of jacket)
Copyright: Public Domain
Curator: Ah, this wine cooler is really something, isn't it? Crafted between 1825 and 1835, a product of the Matthew Boulton Company. One of a pair, its elegant presence enhances the collection of the Metropolitan Museum of Art. Constructed in solid silver, it’s a stunning example of decorative art. Editor: First impression? It looks like something out of a fairytale, or a royal banquet scene from a film! A gleaming, solid, shimmering thing... it almost feels too grand for simple wine. Like it deserves nectar of the gods. Curator: The craftsmanship speaks volumes about the era’s values. During this time, ornate silver pieces became potent symbols of wealth, status, and refined taste. This cooler acted as a powerful declaration of one's place within a stratified society, subtly reflecting complex socioeconomic relations. Editor: Makes me think about who actually made this and who enjoyed it. Must have taken enormous effort and skill. I wonder if those artisans ever saw it gracing a noble’s table, or if they remained invisible in the historical narrative? Curator: It's crucial to recognize those power dynamics at play. Consider the lineage of exploitation that made objects like these possible. This piece might represent luxury and beauty on the surface, but digging a bit deeper we uncover a starker picture involving labor inequality and a strict hierarchy of consumerism. Editor: Totally agree. Though it's easy to get lost in the dazzling surface. The detailing, though! Those leaf-like motifs around the rim, the swirling lines of the handles... there is definitely an aesthetic tension in appreciating craftsmanship while being critically aware of the context of creation. Curator: Absolutely, we can look at this ornate vessel through intersectional lenses. How did issues like class, labor conditions, and the legacies of colonial economies influence this production? How does its presence affect our own contemporary values? Editor: It gives me chills thinking of it like that... almost like it carries those stories, whispering beneath its shine. I might need something stronger than wine to process all this! Curator: The stories this wine cooler holds echo through time, urging us to reflect critically about privilege, inequality, and aesthetic appreciation, but hopefully they have now lost their power and we see things a bit clearer. Editor: Well, consider me officially buzzed, intellectually. Time to contemplate what other 'innocent' objects in the collection have lurking secrets!
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