Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Keith Arnatt’s "Gardeners" from around 1972, a black and white photograph. The subject is an unassuming woman standing in her garden. It feels very… ordinary. What do you see in this piece? Curator: Ordinary, yes, but Arnatt's work often explores the unacknowledged labor and hidden narratives of everyday life. How does the positioning of the woman, centered and almost confrontational, challenge societal expectations of women's roles in the 1970s? Editor: I hadn't thought about that. It's like he's making her visible, giving importance to the mundane. Curator: Exactly! And consider the political implications – is Arnatt suggesting that the domestic sphere holds its own form of power and resistance? It’s about challenging the male gaze. Editor: So, it's not just a photo of a woman in her garden; it's a statement about gender and class, seen through the lens of the everyday. Curator: Precisely. Art finds power in the places we least expect.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13099

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tate 2 days ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.