Portret van Luis Antonio Jaime de Borbón y Farnesio, infant van Spanje 1740

Johann Martin Bernigeroth created this engraving of Luis Antonio Jaime de Borbón y Farnesio, a Spanish infante, sometime between 1713 and 1767. The portrait, now in the Rijksmuseum, offers a window into the intertwined worlds of European royalty, religious institutions, and artistic representation. Bernigeroth's image presents us with more than just a likeness. It's a study in power, carefully constructed through visual codes of the 18th century. The prominent display of Bourbon's coat of arms, his elaborate wig, and the fine garments all signal his noble status. The trappings of his high office within the church are also apparent. Engravings like this one played a crucial role in disseminating images of authority. Analyzing them requires us to consider how institutions – the church, the monarchy, and even the art world itself – shaped the production and reception of such images. Delving into the archives of the Spanish court and the records of religious orders can reveal more about the social conditions that made this portrait possible. Ultimately, it reminds us that art is not created in a vacuum, but is deeply embedded in its social and institutional context.