Drop-front secretary (Secrétaire en armoire) 1783

This drop-front secretary, crafted by Jean Henri Riesener, showcases a fascinating blend of French and Asian aesthetics. The gilded bronze mounts, arranged as floral garlands and classical motifs, contrast with the black lacquer panels, a nod to Chinoiserie, a style that captivated 18th-century Europe. Observe the recurring images of birds, symbols of peace, prosperity, and marital harmony in many cultures, prominently featured on the upper panel. These motifs, although rendered in a French aristocratic style, echo similar depictions found in ancient Chinese art. Birds are an interesting example of how symbols are continually re-imagined. We can trace their use from ancient mythological bestiaries to their appearance in contemporary art. Their ubiquitous presence speaks to a deep-seated human fascination with the natural world and its symbolic potential. The emotional depth of this piece lies in the human desire to connect with faraway cultures. This cultural exchange highlights our collective memory and the human subconscious that binds us through symbols.