Profile Bust of Thomas Fessenden 1800

This profile bust of Thomas Fessenden was made by John Christian Rauschner using watercolor on ivory. The appeal of ivory lies in its smooth surface, which enables the artist to capture fine details. Watercolor paint, composed of pigments suspended in a water-based solution, is translucent, allowing the artist to build up layers of color and create subtle gradations in tone. The creation of such a portrait miniature involved specialized skills and labor. The process began with the careful preparation of the ivory support, followed by the delicate application of watercolor washes to build up the likeness of the sitter. The tiny scale of the miniature demanded precision and control on the part of the artist, as every brushstroke contributed to the overall effect. Such objects are interesting because they blur the lines between craft and fine art. The skill of the artist and the preciousness of the materials elevate it beyond mere utility. Instead, it becomes a treasured object, embodying both artistic expression and social status.